The Plains of Mexico (B) or Santianna was very popular with whalers and this version of this beautiful tune was sung to Stan Hugillby an old Norwegian whaler Captain Larsen of Magallanes (Punta Arenas).
The song will be reconstructed by myself as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed: p 84).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed: p 84).
The Record of The Plains of Mexico (B)
This reconstruction will be singing as a pump shanty.
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
The Plains of Mexico (B)
In Mexico where the land lies low, – Hooraw, boys, hooraw ho! Where there ain’t no snow an’ the whale fishes blow, – Heave away for the plains of Mexico
* 2 *
In Mexico so I’ve heard say, There’s many a charm’ senorita gay,
* 3 *
Twas there I met a maiden fair, Black as night was her raven hair.
* 4 *
Her name wuz Carmen so I’m told, She wuz a Spanish senorita bold.
* 5 *
But she left me there, an’ I did go Far away from the plains of Mexico,
* 6 *
Them gals is fine with their long black hair; They’ll rob ye blind an’ skin ye bare.
* 7 *
In Mexico I long to be, With me tight-waisted gal all on me knee.
* 8 *
Them little brown gals I do adore, I love ’em all, each sailor-robbin’ whore.
* 9 *
In Mexico where I belong, Them gals all sing this rousin’ song.
* 10 *
Why do them yaller gals love me so? Because I don’t tell ’em all I know.
* 11 *
Them Dago gals ain’t got no combs, They comb their hair with whale-fish bones.
* 12 *
When I wuz a young man in me prime, I courted them yaller gals two at a time.
“Santiana (A)” and “Mister Stormalong” together with the shanty “Lowlands Away”, started life in the same as pump shanties. They have also been used in brake or leaver windlasses. later when iron ships replaced wooden ones, has been used as pumps to a great extent, and were adapted to the capstan work, and so they remained to the end of the sail.
This song will be reconstructed as the pump shanty.
The source of this sea shanty
The music: Shanties from the Seven Seas” by Stan Hugill (1st ed: p 82, 83).
The lyrics: Shanties from the Seven Seas” by Stan Hugill (1st ed: p 82, 83).
The Record of the Santiana (A)
This reconstruction will be singing as a pump shanty.
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
Santiana (A)
Oh, Santiana gained the day, – Away Santiana! Santi-ana gained the day, – All across the Plains of Mexico!
* 2 *
He gained the day at Molley-Del Rey, An’ General Taylor ran away,
* 3 *
All of his men were brave an’ true, Every solider brave an’ true.
* 4 *
Oh, Santiana fought for fame, An, Santiana gained a name.
* 5 *
An’ Zacharias Taylor ran away, He ran away at Molley-del-ray.
* 6 *
Santi-ana’s men were brave, Many foud a solider’s grave.
* 7 *
“Twas a fierce an’ bitter strife, Hand to hand they fought for life.
* 8 *
An’ Santiana’s name is known, What a man can do was shown.
* 9 *
Oh, Santiana fought for his gold What deeds he did have oft been told.
* 10 *
‘Twas on the field of Molley-del-rey, Santiana, lost a leg that day.
* 11 *
Oh, Santiana’s day is o’er, Santi-ana, will fight no more.
* 12 *
Oh, Santiana’s gone away, Far from the fields of Molley-del-rey.
* 13 *
Oh, Santiana’s dead an’ gone, An’ all the fightin’ has bin done.
* 14 *
Santi-ana, was a damn fine man, Till he fouled hawse with Old Uncle Sam.
* 15 *
Now Santiana shovels his gold, Around Cape Horn in the ice an’ cold.
* 16 *
We’ll dig his grave with a silver spade, An’ mark the spot where he was laid.
* 17 *
Oh, Santiana now we mourn, We left him buried off Cape Horn.
* 18 *
We left him deep ‘way off Cape Horn, Close by the place where he was born.
This shanty same as “Stormalong, Lads, Stormy”, Way Stormalong, John came from the same shantyman “Harding, the Barbadian Barbarian” from Barbados. About Harding, Stan Hugill calls him master of the ‘hitch” – the singing wild yelps at certain points in hauling song. In both foregoing shanties and in the one which follows – which Stan Hugill also obtained from him – he would give vent to many wild ‘hitches’, absolutely impossible for a white man to copy. It was originally used at the pumps.
This song will be reconstructed as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 77).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 77).
The Record of the Way Stormalong, John
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
Way Stormalong, John
Oh, Stormy’s gone that good ol’ man, – ‘Way, Stormalong John! Oh, Stormy’s gone that good ol’ man, – ‘Way-ay, Mister Stormalong John.
* 2 *
A good ol’ skipper to his crew, An able seamen bold an’ true,
* 3 *
We dug his grave with a silver spade, His shroud o’ finest silk wuz made.
* 4 *
Old Stormy heard the Angel call, So sing his dirge now one an’ all.
* 5 *
He slipped his cable of Cape Horn, Close by the place where he wuz born.
* 6 *
I wisht I wuz Ol Stormy’s son, I’d build a ship o’ a thousant ton
* 7 *
I’d sail this wide world round an’ round, With plenty o’ money I’d be found..
* 8 *
We’d sail this ol’ world round an’ round, An’ get hot rum oh, I’ll be bound.
* 9 *
I’d load her up with Jamaicy rum, An’ all me shellbacks they’d have some.
* 10 *
We’d git our drinks, lads, every man, With a bleedin’ big bottle for the shantyman.
* 11 *
I’d load ‘er up with grup an’ gin, An’ stay in the port that we wuz in.
* 12 *
I’d feed ye well, an’ raise yer pay, An’ stand ye drinks three times a day.
* 13 *
An’ whin we git to Liverpool Town, We’ll dance them judies round an’ round.
* 14 *
Oh, Stormalong an’ around we’ll go, Oh, Stormalong through ice an’ snow.
* 15 *
When Stormy died he made a will, To give us sailors gin to swill.
Same as in “Lowlands Away”, Stormy Along, John was originally used at the pumps and later as a capstan. Some of the people believe that was built around John Willis- the owner of “Cutty Sark”. But true it is negro origin and of much older vintage than the “Cutty Sark” period.
This song will be reconstructed as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 75).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 75, 76).
The Record of the Stormy Along, John
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation of the Stormy Along, John
The full lyrics
Stormy Along, John
Oooh… Stormy’s gone that good ol’ man, – Stormyalong boys, Stormalong, John! Oh, Stormy’s gone that good ol’ man, – Ah, ha, come-along, git-along, stormy along, John!
* 2 *
Oh, poor Ol’ Stormy’s gone to rest, Of all ol’ seamen he wuz best,
* 3 *
He slipped his cable off Cape Horn. Close by the place where he wuz born.
* 4 *
We dug his grave with a silver spade His shroud o’ finest silk wuz made.
* 5 *
I wisht I wuz Ol Stormy’s son, I’d build a ship o’ a thousant ton
* 6 *
I’d sail this wide world round an’ round, With plenty o’ money I’d be found.
* 7 *
We’d sail this ol’ world round an’ round, An’ get hot rum oh, I’ll be bound.
* 8 *
I,d load her up with Jamaicy rum, An’ all me shellbacks they’d have some.
* 9 *
We’d git our drinks, lads, every man, With a bleedin’ big bottle for the shantyman.
* 10 *
I’d load ‘er up with grup an’ gin, An’ stay in the port that we wuz in.
* 11 *
I’d feed ye well, an’ raise yer pay, An’ stand ye drinks three times a day.
* 12 *
An’ whin we git to Liverpool Town, We’ll dance them judies round an’ round.
* 13 *
Oh, Stormalong an’ around we’ll go, Oh, Stormalong through ice an’ snow.
* 14 *
When Stormy died he made a will, To give us sailors gin to swill.
A fine old shanty was Mister Stormalong (A2). Analogically, as in “Lowlands Away”; these shanty sailors were used at the pumps; and also later as a capstan. But true it is negro origin and of much older vintage than the “Cutty Sark” period. In Stan Hugill’s book; are described 6 versions of this family. In this particular version are two patterns:
Praising the dead seamen,
Praising the benevolent son of the dead seamen.
The second pattern; was usually added after the dirge-like regulation stanzas run out. It happens for a reason that work at pumps was a constant job, especially on old wooden ships; when every changed course or trim the sails; the hull was liked literally “everywhere”. I do separate these 2 patterns. This is the second version, I will do a little “presentation” of work at the leaver “Jiggity-Jig” (older type) pump.
This song will be reconstructed as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 72).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 72, 74).
The Record of the Mister Stormalong (A2)
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The full lyrics
Mister Stormalong (A2)
I wisht I wuz Ol Stormy’s son, – To me way you Stormalong! I’d build a ship o’ a thousant ton – Aay! Ay.! Ay! Mister Stormalong!
* 2 *
I’d sail this wide world round an’ round, With plenty o’ money I’d be found..
* 3 *
We’d sail this ol’ world round an’ round, An’ get hot rum oh, I’ll be bound.
* 4 *
I’d load her up with Jamaicy rum, An’ all me shellbacks they’d have some.
* 5 *
We’d git our drinks, lads, every man, With a bleedin’ big bottle for the shantyman.
* 6 *
I’d load ‘er up with grup an’ gin, An’ stay in the port that we wuz in.
* 7 *
I‘d feed ye well, an’ raise yer pay, An’ stand ye drinks three times a day.
* 8 *
An’ whin we git to Liverpool Town, We’ll dance them judies round an’ round.
* 9 *
Oh, Stormalong an’ around we’ll go, Oh, Stormalong through ice an’ snow.
* 10 *
When Stormy died he made a will, To give us sailors gin to swill.
A fine old shanty was Mister Stormalong (A1). The same as in “Lowlands Away”, this shanty was originally used at the pumps and later as a capstan. There are stories about that who believe it was built around John Willis- the owner of “Cutty Sark”. But true it is negro origin and of much older vintage the “Cutty Sark” period.
Stan Hugill’s book describes 6 versions of this shanty. In this particular version are two patterns:
Praising the dead seamen,
Praising the benevolent son of the dead seamen.
Worth noting, that the second pattern was usually added after the dirge-like regulation stanzas run out. The reason why the stanzas run out was: that the work at pumps was a constant job, especially on wooden ships. Each change to the course or trims of the sails caused the leakage literally “everywhere”. I do separate these 2 patterns because, in the second version, I plan to do a little “presentation” of work at the leaver “Jiggity-Jig” (older type) pump.
This song will be reconstructed as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 72).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 72, 74).
The Record of the Mister Stormalong (A1)
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
Mister Stormalong (A1)
Old Stormy he is dead and gone, – To me way you Stormalong! Old Stormy he is dead and gone, – Aay! Ay.! Ay! Mister Stormalong!
* 2 *
Of all ol’ skippers he was best, But now he’s dead an’ gone to rest.
* 3 *
He slipped his cable off Cape Horn, Close by the place where he was born.
* 4 *
Oh, off Cape Horn where he was born, Our sails wuz torn an’ our mainmast gorn.
* 5 *
We’ll dig his grave with a silver spade, His shroud of finest silk was made.
* 6 *
We lowered him down with a golden chain, Our eyes all dim with more than rain.
* 7 *
He lies low in his salt-sea [earthen] bed, Our hearts are sore, our eyes were red.
* 8 *
An able seaman bold an’ true, A good ol’ skipper [bosun] to his crew.
* 9 *
He’s moored at last an’ furled his sail, No danger now from wreck or gale.
* 10 *
Old Stormy heard the Angel call, So sing his dirge now one an’ all.
* 11 *
Oh, now we’ll sing his funeral song, Oh, roll her over, long an’ strong.
* 12 *
Old Stormy loved a sailors’ song, Hes voice wuz tough an’ rough an’ strong.
* 13 *
His heart wuz good an’ kind an’ soft, But now he’s gone ‘way up aloft.
* 14 *
For fifty years he sailed the seas, In winter gale and summer breeze.
* 15 *
But now Ol’ Stormy’s day is done; We marked the spot where he is gone.
* 16 *
So we sunk him under with a long, long roll, Where the sharks’ll have his body an’ the divil have his soul.
* 17 *
An’ so Ol’ Stormy’s day wuz done, South fifity six, west fifty one.
* 18 *
Ol’ Stormy wuz a seaman bold, A Grand Ol’ Man o’ the days of old.
Interesting Facts about My Dollar An’ A Half A Day
This originally pumping shanty, My Dollar An’ A Half A Day was later used as windlass and capstan. This is the Southern States version, Bullen believes it to be of Negro origin, and Whall calls it’ American’, from the cotton ports. “Mr. Perring said this was a ‘typical’ (‘ti’ rhymes with ‘my’) Negro Chantey, sung by Negro sailors in the East India trade, in complaint at their being harder worked and lower-waged than white seamen. Doerflinger disagrees and thinks it is an English song, taken to the Gulf ports by the English and Irish pocket seamen who worked there loading cotton.
Its “Dead Lover” theme definitely originated in Scotland or North England. This “dead lover” pattern one I sing, of four is: “Later southern States version” another three patterns are: “The dead lover is a male”, “Sailor’s dream of his sweetheart” “The dead lover is a female”
This song will be reconstructed as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 68, 69). The version I will try to recreate I heard on Stan Hugill’s album – “Aboard the Cutty Sark” (1979).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 68, 69).
The Record of the My Dollar An’ A Half A Day
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
Lowlands (My Dollar An’ A Half A Day)
– Low-lands, Lowlands away my John – Low-lands away, I heard them say, – My Dollar an’ a half a day.
* 1 *
A dollar an’ a half a day is a (black man) nigers pay, – Lowlands, Lowlands away my John! I thought I heard out Old Man say, – My Dollar an’ a half a day.
* 2 *
A white man’s pay is rather high. – Lowlands, Lowlands away my John! A black man’s pay is rather low, – My Dollar an’ a half a day.
* 3 *
Five dollars a day is a hoosier’s pay, – Lowlands, Lowlands away my John! Five dollars a day is a hoosier’s pay, – My Dollar an’ a half a day.
* 4 *
A dollar an’ a half a day is mathlow’s pay, – Lowlands, Lowlands away my John! A dollar an’ a half a day won’t pay my way. – My Dollar an’ a half a day.
* 5 *
Ohwhat shall we poor shellbacks do? – Lowlands, Lowlands away my John! We’ve got no money an’ we can’t git home. – My Dollar an’ a half a day.
* 6 *
I packet me bag an’ I’m bound away, – Lowlands, Lowlands away my John! I’m bound away for Mobile Bay. – My Dollar an’ a half a day.
* 7 *
We’re bound away for Mobile Bay, – Lowlands, Lowlands away my John! We’re bound away at the break o’ day. – My Dollar an’ a half a day.
* 8 *
Oh, say wuz ye never down in Mobile Bay? – Lowlands, Lowlands away my John! A-screwin’ cotton all the day. – My Dollar an’ a half, a day.
* 9 *
Oh, me poor ol’ mother, oh, she wrote to me, – Lowlands, Lowlands away my John! She wrote to me to come home from sea. – My Dollar an’ a half, a day.
* 10 *
We’ll heave ‘er up from down below, – Lowlands, Lowlands away my John! Oh, heave ‘er up an’ away we’ll go! – My ...
* 11 *
Oh, I though I heard the Ol’ Man say, – Lowlands, Lowlands away my John! He’d give us rum three times a day. – My ...
* 12 *
I wish I had ten thousand pound, – Lowlands, Lowlands away my John! I’d steer me ship for miles around. – My ...
* 13 *
I’d load her up with grub an’ gin, – Lowlands, Lowlands away my John! An’ stay in the port where we wuz in. – My ...
* 14 *
I’d stand ye drinks three times a day, – Lowlands, Lowlands away my John! An’ feel ye well am’ raise yer pay. – My ...
* 15 *
With a bully ship an’ a bully crew, – Lowlands, Lowlands away my John! An’ a bucko skipper for to kick her through. – My ...
* 16 *
Oh, I wished I wuz in Liverpool Town, – Lowlands, Lowlands away my John! With them Liverpool judies I’d dance around. – My …
* 17 *
Wake up, yer bitch, an’ let us in, – Lowlands, Lowlands away my John! Wake up, yer bitch, cos we want some gin. – My …
Lowlands Away (B) originally a pumping shanty was later used as windlass and capstan. According to Stan Hugill, because was difficult to sing, was never popular. Its “Dead Lover” theme definitely originated in Scotland or North England.
This “dead lover” pattern one I sing, of four is: “Sailor’s dream of his sweetheart” another three patterns are: “The dead lover is a female”, “The dead lover is a male” “Later southern States version”
The song will be reconstructed by myself as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 66).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 67). This version has also a slightly different chorus, I did change it just to seek to try out some different.
The Record of the Lowlands Away (B)
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
Lowlands Away (B)
– Lowlaands, Lowlands, hurrah my Jo! – Lowlands, high, Lowlands, alay! – My Lowlands away!
* 1 *
I dreamt a dream, the other night, – Low-lands, Lowlands, hurrah my Jo! I dreamt a dream, the other night, – Lowlands, alay!
* 2 *
I dreamt I saw my own true love, She flew to me like some young dove
* 3 *
This maid she stood close by my side, All dressed in white like some fair bride.
* 4 *
She spoke in accents sweet an’ low. I love you, dear, this well you know.’
* 5 *
And, then I sang in sweetest voice, That song which made my heart rejoice.
* 6 *
Oh, Lowlands maids are fair an’ true, This Lowlands maid she loves you too.
* 7 *
And Lowlands men are strong an’ brave: The one I love sails o’er the wave.
* 8 *
I held her in my fond embrace, And kissed her sweet an’ shinin’ face.
* 9 *
And-then awoke to her the cry, ‘Rouse out the watch, ho! watch ahoy!’
Strangely enough, C. F. Smith gives Lowlands Away (A) (ii) it as a halyard shanty, It is maybe because it doesn’t have a grand chorus, and in Stans Hugill’s theory from -“The Bosuns Locker” book, is that four-line construction – two solos and two intermittent refrains (more details you can find there).
Its “Dead Lover” theme definitely originated in Scotland or North England. This “dead lover” pattern one I sing, of four is: “The dead lover is a female” another three patterns are: “The dead lover is a male”, “Sailor’s dream of his sweetheart” “Later southern States version”
The song will be reconstructed by myself as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 65).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 66, 67).
The Record of the Lowlands Away (A) (ii)
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
Lowlands Away (A) (ii)
– Low-lands, Lowlands, away, my John, – Lowlands away I heard them say, – My Lowlands away.
* 1 *
I dreamed a dream the other night, – Lowlands, Lowlands, away, my John. My love she came dressed all in white, – My Lowlands away.
* 2 *
I dreamed my love came in my sleep, Her cheeks were wet, her eyes did weep.
* 3 *
She came to me as my best bride (at mt bed-side), All dressed in white like some fair bride.
* 4 *
And bravely in her bosom fair, A red, red rose did my love wear.
* 5 *
She made no sound-no word she said, And then I knew my love was dead.
* 6 *
I bound the weeper round my head, For now I knew my love was dead.
* 7 *
She waved her hand-she said goodbye, I wiped the tear from out my eye.
* 8 *
And then awoke to hear the cry, ‘Oh, watch on deck, oh, watch ahoy!’
Lowlands Away (A) (i) was originally a pumping shanty; also later used as a windlass and capstan shanty. According to Stan Hugill, because was difficult to sing, was never popular. Terry, claims that this song, after the China clipper era was seldom heard. This “Dead Lover” theme, it is definitely, originated in Scotland or North England.
This “dead lover” pattern one I sing of four is: “The dead lover is a male” another three patterns are: “The dead lover is a female”, “Sailor’s dream of his sweetheart” “Later southern States version”
I will reconstruct this song as the pump shanty.
The source of this sea shanty
The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 65).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 65, 66).
The Record of the Lowlands Away (A) (i)
You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.
The musical notation
The full lyrics
Lowlands Away (A) (i)
– Low-lands Lowlands, away my John! – Lowlands, Away I heard them say, – [My] Lowlands, away!
* 1 *
I dreamt a dream, the other night, – Lowlands , Lowlands, away my John! I dreamt a dream, the other night, – [My] Lowlands, away!
* 2 *
I dreamt I saw my own true love, He stood so still, he did not move,
* 3 *
I knew my love was drowned and dead, He stood so still, no word he said.
* 4 *
All dank his hair, all dim his eye, I knew that he had said goodbye.
* 5 *
All green and wet with weeds so cold, Around his form green weeds had hold.
* 6 *
I’m drowned in the Lowland Seas,’ he said, ‘Oh, you an’ I will ne’er be wed.’
* 7 *
I shall never kiss you more,’ he said, ‘Never kiss you more — for I am dead.’
* 8 *
I will cut my breasts until they bleed.’ His form had gone — in the green weed.
* 9 *
I will cut away my bonnie hair, No other man will think me fair.’
* 10 *
I bound the weeper round my head, For now I knew my love was dead.
* 11 *
My love is drowned in the windy Lowlands, My love is drowned in the windy Lowlands,
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