Paddy Get Back – Dick Maitland

Paddy Get Back – Dick Maitland

“Paddy Get Back – Dick Maitland” version, known also under the title “Mainsail Haul”. This song was both capstan shanty and forebitter. According to Stan Hugill, the “Paddy Get Back – Dick Maitland” version was very popular, especially in Liverpool ships. Stan Hugill tells us also that this song has two forms, the eight-line verse (forebitter form), and the four-line verse (shanty pattern). We do have here the last variation of this song gives us a capstan shanty from “Shantymen And Shantyboys” by William Main Doerflinger (1951). So, Dick Maitland was the singer who sang this great song to Doerflinger. His performances are very authentic because he was a regular American shantyman, late of Sailors, Snug Harbour.

The following song will be reconstructed as a Capstan shanty.

The source of this sea shanty

The music: “Shanties from the Seven Seas” by Stan Hugill (1st ed: p 326).
The lyrics: “Shanties from the Seven Seas” by Stan Hugill (1st ed: p 326, 327).

Paddy Get Back – Dick Maitland

You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.

Paddy Get Back (Dick Maitland) - Capstan Shanty

The musical notation

Paddy Get Back - Dick Maitland - music notation

The full lyrics

Paddy Get Back – Dick Maitland

I was broke and out of a job in the city of London,
I went down the Shad wall Docks to get a ship,

– Paddy get back,
– take in the slack,
– Heave away your capstan, heave a pawl, heave a pawl!
– ‘Bount ship and stations, there, be handy
– Rise tacks ‘n’ sheets ‘n’ mains’l haul!

* 2 *

There was a Yankee ship a-laying in the basin;
Shipping master told me she was going to New York!

* 3 *

If ever I get my hands on that shipping master,
I will murder him if it’s the last thing that I do!

* 4 *

When the pilot left the ship the catain told us,
We were bound around Cape Horn to Callao!

* 5 *

And he said that she was hot and still a-heating,
And the best thing we could do was watch our step.

* 6 *

Now the mate and second mate belonged to Boston,
And the captain belonged in Bangor down in Maine.

* 7 *

Tree of them were rough an’ tumble fighters,
When not fighting among themselves they fought with us.

* 8 *

Oh, they called us out one night to reef the tops’ls,
There was belayin’-pins a-flyin’ round the deck.

* 9 *

We came on deck and went to set the tops’ls,
Not a man among the bunch could sing a song.

* 10 *

Oh, the mate he grabbed a-hold of me by the collar,
‘If you don’t sing a song I’ll break your blasted neck!’

11 *

I got up and gave them a verse of Reuben Ranzo,
Oh, the answer that I got would make you sick.

12 *

It was three long months before we got to Callao,
And the ship she was a-called a floating hell.

13 *

We filled up there at Callao with saltpetre,
And then back again around Cape Horn!

Related to this sea shanty

Bound for the Rio Grande (Cecil Sharp Version)

Rio Grande (B)

A Long Time Ago (C)

Sally Brown (A – Dick Maitland version)

Interesting Facts about Sally Brown (A – Dick Maitland version)

This Sally Brown (A – Dick Maitland version), was sung by Dick Maitland, a shantyman whose shanties were the core of the collection of William Main Doerflinger. Here is how this shanty was commented by Doerflinger: Favorite heroine of shanty lore was the beguiling, rum-drinking, fickle Sally Brown. “Some people might think Sally Brown was rather immoral,” Dick Maitland philosophized, “but it was the way of the world in the days!” This I another “roll” shanty, the most famous “Roll an’ Go!”, also known as “Sally Brown”. This is a capstan shanty, as Stan Hugill mentions it is only one theme of this song, and it is – all about Sally and her daughter. As the author of “Shanties from The Seven Seas” mentioned – there existed many obscene verses, which accounts partly for the fact that popularity never waned!

The song will be reconstructed by myself as the capstan shanty.

The source of this sea shanty

The music: “Shantymen And Shantyboys” by William Main Doerflinger (1951).

The lyrics:  “Shantymen And Shantyboys” by William Main Doerflinger (1951).

Mentioned in: “Shanties from the Seven Seas” by Stan Hugill (1st ed p 164).

The Record of the Sally Brown (A – Dick Maitland version)

You also can find this record on my YouTube channel here or directly listen below. Additionally, if you want to share your opinion about the record or share your opinion you can do it in my Facebook forum here, or leave a comment at the bottom of this blog article.

Sally Brown A (Dick Maitland version) - Capstan Shanty

The musical notation

sally-brown-a-dick-maitland-version music notation

The full lyrics

Sally Brown (A – Dick Maitland version)

Saly Brown was a gay old lady,
– Way-ay, Roll and go!
Oh, Saly Brown was a Creole lady,
– Spend my money on Sally Brown!

* 2 *

She had a farm in the isle of Jamaica,
Where she raised sugarcane, rum an, terbacker.

* 3 *

Also she had a fine young daughter,
And that’s the gal that I was after,

* 4 *

Seven long years I courted the daughter,
And when I asked her if she’d marry,

* 5 *

She would not have a tarry sailor!
She would not have a tarry sailor!

* 6 *

“Those lily-white hands and slender waist?
A tarry sailor I’ll ne’er embrace!”

* 7 *

But now my troubles they’re almost over,
Sally got married to a creol solider.

* 8 *

He beat and abused her and stole her money,
And left her with creol baby.

* 9 *

One night she was taken with a pain in her belly,
And they sent for a doctor and his name was kelly.

* 10 *

He rode a horse with a ropeyarn bridle,
And he laid young Sally on the table

* 11 *

And from her took a little tar baby.
Oh, Sally dear, why didn’t you have me?

Related to this sea shanty

Bound for the Rio Grande (Cecil Sharp Version)

Rio Grande (B)

A Long Time Ago (C)